What to Wear for Headshots
A headshot is not a costume, nor a disguise—it is a glimpse of you, distilled. The right outfit does not demand attention but rather frames the story of your face, your expression, the quiet gravity of your presence. A well-chosen shirt, a texture that catches the light just so—these are not trivial details. They are the punctuation in an unspoken sentence, the brushstrokes in a portrait of first impressions.
The Art of Simplicity
Solid colors. No loud patterns, no distracting logos. A deep navy, a quiet olive, a warm burgundy—tones that complement your skin and bring out the depth in your eyes. Textures matter: a soft knit, a brushed cotton, fabrics that add dimension without overwhelming.
If in doubt, hold the fabric near your face in natural light—does it bring warmth, or does it dull you down? Deep, rich colors tend to flatter most skin tones, while pastels can wash some people out under certain lighting. Choose the shades that make you look most alive.
The Neckline as a Frame
A good neckline draws the gaze where it belongs—your face. A simple crewneck, a structured collar, an open neckline that doesn’t disappear into shadow. Nothing too fussy, nothing that competes with your expression.
The Subtle Power of Layers
A jacket over a fitted tee, a sweater draped just so—a second layer can add quiet authority, a whisper of character. A denim jacket suggests ease, a blazer hints at polish. The layers should serve you, not overshadow you.
Clothing That Serves the Role
Actors know this well: a headshot is a calling card, a suggestion of the roles you are meant to inhabit. If you’re aiming for corporate portraits, a well-fitted suit sends a message. If you need acting headshots, the outfit should nod subtly toward the characters you play—nothing overt, just a hint, a whisper of possibility.
The Delicate Balance of Accessories
Jewelry and accessories should not compete for attention. A simple stud, a delicate chain—small touches can enhance rather than distract. Avoid anything too reflective or bold; the best portraits keep the focus on your expression, not on what you’re wearing.
Comfort Reads on Camera
The stiff collar, the itchy sweater, the jacket that never quite sat right—these things announce themselves in a photograph. Wear what makes you feel at home in your own skin. The best portraits happen when you forget the camera is there.
The Face Remains the Story
Your eyes, your expression—that’s the photograph. The clothes should never upstage that. They should settle quietly into the background, leaving space for what really matters.
A headshot is not a performance. It is the moment before the performance, the hush before the story begins. And if chosen well, the right outfit will not be noticed at all—it will simply belong.
